There are at least three bands named Truth.

Truth (1)

Truth is a dubstep artist from Christchurch, New Zealand.
The theory that isolation breeds creativity has never been as apt as it is for Truth, a dubstep outfit hailing from one of the world’s most southern cities. What began as a musical experiment has now become something much more significant. A chance encounter with dubstep visionary Mala late in 2007 inspired the New Zealand trio, who have been working together for years, to try their hand at a new sound – one comprising serious sub bass and snares so nasty they make eyes water. Within days of slipping Mala a handful of tunes made in as many days, Truth had been signed to his label Deep Medi – widely regarded as one the most progressive in the scene, alongside a cluster of highly respected artists including Loefah, Kromestar, Silkie & Quest and Goth Trad. Truth’s style defies categorisation, encompassing an array of melodies and vocals within spacious beats that range from half‑step stompers like ‘The Fatman’ to deeper tunes like ‘Stolen Children’.

Truth (2)

Although Truth never officially released an LP while they were together, in 1995 a 68-minute CD was salvaged from 1969–70 recordings. Most of them were made for a soundtrack of an obscure film, with three other tracks coming from a Chicago studio session during the brief time in which Ray Elliott was in the band. Perhaps to the surprise of some listeners aware of Truth's Them connections, there's not much of a hard R&B‑blues‑British Invasion influence. It's far more reminiscent of late-'60s California guitar psychedelia, along the lines of some of the more economic and harmony‑driven bands in that style, like Moby Grape and (more distantly) Love.

In this respect, Truth recall Fat Mattress (Noel Redding's group), another act with heavy British Isles roots that took major cues from West Coast harmonized psych, though Truth and Fat Mattress…читать далее ↓

There are at least three bands named Truth.

Truth (1)

Truth is a dubstep artist from Christchurch, New Zealand.
The theory that isolation breeds creativity has never been as apt as it is for Truth, a dubstep outfit hailing from one of the world’s most southern cities. What began as a musical experiment has now become something much more significant. A chance encounter with dubstep visionary Mala late in 2007 inspired the New Zealand trio, who have been working together for years, to try their hand at a new sound – one comprising serious sub bass and snares so nasty they make eyes water. Within days of slipping Mala a handful of tunes made in as many days, Truth had been signed to his label Deep Medi – widely regarded as one the most progressive in the scene, alongside a cluster of highly respected artists including Loefah, Kromestar, Silkie & Quest and Goth Trad. Truth’s style defies categorisation, encompassing an array of melodies and vocals within spacious beats that range from half‑step stompers like ‘The Fatman’ to deeper tunes like ‘Stolen Children’.

Truth (2)

Although Truth never officially released an LP while they were together, in 1995 a 68-minute CD was salvaged from 1969–70 recordings. Most of them were made for a soundtrack of an obscure film, with three other tracks coming from a Chicago studio session during the brief time in which Ray Elliott was in the band. Perhaps to the surprise of some listeners aware of Truth's Them connections, there's not much of a hard R&B‑blues‑British Invasion influence. It's far more reminiscent of late-'60s California guitar psychedelia, along the lines of some of the more economic and harmony‑driven bands in that style, like Moby Grape and (more distantly) Love.

In this respect, Truth recall Fat Mattress (Noel Redding's group), another act with heavy British Isles roots that took major cues from West Coast harmonized psych, though Truth and Fat Mattress aren't extremely similar. Truth play late-'60s psychedelic rock with a breezy lightness, yet with some guts, anchored by extremely versatile guitar lines by the underrated Jim Armstrong. The songs might not be classic, but they're very pleasant go‑with‑the‑flow period sequences of images, with one vocal (on "Blackboard Words") closely approximating the sound of late-'60s Roger McGuinn. On «Sonic Sitar,» the group expands upon the raga‑rock explored in the post‑Van Morrison Them's best cut, «Square Room,» and in fact «Archimed's Pad (Squared Room)» is an impressive instrumental remake of «Square Room» that's an underrated highlight of the whole raga‑rock genre, with its hypnotic drawn‑out interplay of drones and Indian‑influenced guitar melodies. The three songs recorded with Ray Elliott on flute and piano go into jazzier grooves with good effect, adding nice icing to a record that's on the whole better (and certainly more consistent) than either of the late-'60s Them albums on which some of the Truth musicians played.

Truth (3)

Truth, a new band from Sweden. All songs are written by guitar‑god Sven Cirnski who leaves you breathless. All vocals are done by David Fremberg (of the band Andromeda). The debut album, «Machine», was released in January 2008 on Grooveyard Records.

Truth (4)

American rapper. Born December 15, 1976.